Literature
Enrichment
By Kaye Keck
More than a gallery,
more than an institute, the Dromkeen Children’s Literature Collection
continues to awaken, inspire, challenge those who visit. It offers opportunities
to experience another world, to become enveloped in another time or place
- in a world created by others, by authors and illustrators.
‘Oh yes’, you are saying - ‘we visited a few years ago
and it was terrific’. Full stop. When things become most familiar
it is easy to forget the myriad learning experiences available.
I am continually surprised by the number of educators who have not heard
of the Dromkeen Collection or who ‘visited once’.
Whilst these days I am not in the gallery rooms at Dromkeen as frequently
as I once was, watching a group of children sharing an artist’s
work continues to pull me back to the essentials. Sitting curled on the
floor, often cross legged, hands cupped supporting chins, eyes glued on
the works, children are spellbound. No matter what budget, what problem
what challenge I’m with at that time, it can pale in significance
in that privileged moment when I share in one child’s extra heartbeat,
that swallow in their throat, that involuntary shiver.
Literature is above all enjoyment - enjoyment in the profoundest kind,
even if the works, the stories themselves are sad or painful, tender or
chilling.
We know that simply for enjoyment alone, an emersion in the visual language
of picture books adds immeasurably to children’s lives - in fact
to the lives of everyone of us. Picture books are lifelong friends and
companions. I can still recall my grandmother being too frail and tired
to read but avidly pouring over photographs and books of Canada which
I had sent her - in her words, “the pictures help me to feel close
to you, though I know you are miles away”.
It therefore becomes an added bonus when we realise that exposure to picture
books actually enables children to better master their cognitive, verbal
and written skills…When we realise that particular illustrative
features can mirror grammatical symbols. For instance, illustration may
be used to indicate a time sequence; to show that a particular incident;
or that some action has been passed over. Illustrations may also encapsulate
the meaning of a sentence or paragraph, or brilliantly portray characters
or pose questions about our society or assist in cognitive and reasoning
skills. Let me share one example.
Recently Dromkeen has been exhibiting the early black and white illustrators
of Elizabeth Durack’s Piccaninnies. A fascinating adjunct to these
works is the colour video produced at Dromkeen of Elizabeth talking about
this book’s creation. Certainly the exquisite detailed pen and ink
lines are a joy to behold, but more than their beauty, the images have
the power to provoke and challenge. Would such images be accepted if created
today? Why might Elizabeth have drawn these characters as she has? What
of other indigenous images? Why can white Anglo-Saxon Australians illustrating
indigenous stories generate particular emotions?
Magnificent as many of the works in the Dromkeen Children’s Literature
Collection are, they do more than provide simple viewing.
There is little doubt that exposure to original artwork and the original
manuscript hooks and enriches the viewer. In purchasing artwork for the
collection, an important criteria is the availability of supplementary
material. Such material may include preliminary sketches, actual dummy
books, story boards or manuscripts. Of particular interest is Lilith Norman’s
manuscript to The Paddock, illustrated by Robert Roennfeldt.
In the early text Lilith had written “ceremonies to make boys into
men”. It is fascinating to read Lilith’s accompanying notes
to Dromkeen documenting how, following editorial concerns over the word
‘boys’, extensive research revealed two recorded incidents
related to girls. As Lilith writes, this was enough to see the published
text reading “ceremonies to make young people into men and women”.
Delving into the story behind the story is part of Dromkeen’s commitment
- whether it be behind the pictures or behind the words.
Dromkeen is certainly more than a gallery.
As part of the Collection’s commitment to enriching the lives of
students and adults through our literature, several significant projects
have added to the Dromkeen experience - wandering the Heritage Trail,
exploring the fabric illustrations on the storytelling cape, and an in-depth
focus on creating the character.
Like the bronze sculptures in the gardens, the Heritage Trail offers the
opportunity to consider our heritage through the eyes of picture book
illustrations. Thirteen large full colour picture boards form a trail
through the pine trees past rocky outcrop and down the front slope. Pick
up a trail basket and read from each of the books, using the individual
laminated guides as starting points for your exploration. Consider events
and issues: early settlers, gold rush fever, exploration, indigenous perspectives,
multiculturalism and environmental awareness. The Heritage Trail provides
a fun way for looking at our culture through literature.
Schools and libraries can also have fun creating their own heritage trails
as they delve into books:
-Have students work in different age groups and select novels that depict
our history - from earliest settlers to contemporary
-Using picture books select a range of illustrations of significant issues
-Have each group create ‘sign posts’ with brief blurb highlighting
these points.
For pages of ideas
using picture books as inspiring starters in history, purchase Australia
Through Time - Through our Picture Books, a teacher’s resource available
at the Dromkeen Bookshop.Dromkeen travelling exhibitions now offer similar
experiences to a wide audience. ‘Backyards, Bush and Beaches’
is now exhibiting at regional galleries after six weeks in Benalla. It
will then travel to Latrobe Regional Gallery, Morwell, the University
of Southern Queensland, Toowoomba Book Week and the Lovatt Art Gallery,
Newcastle.
The terms 3 and 4 exhibition ‘Creating the Character - Images from
Picture Books’ is also set for travel, being scheduled for Bundaberg
Arts Centre, Tweed River Regional Art Gallery and Toowoomba Regional Art
Gallery early 2005 with hopefully an extended visit in Western Australia,
Northern Territory and South Australia.
Let’s not become complacent. Look again at the images from our picture
books - they really do have the power to inspire and hook readers of all
ages.
Dromkeen is truly a place of many facets. As English author Pat Hutchins
wrote of her visit:
I was attempting to describe Dromkeen to a friend. ‘So it’s
a museum of children’s books,’ she said. ‘Well yes’,
I replied ‘but it’s a bit more than that. They have current
exhibitions of original art work as well’. ‘So it’s
a museum of children’s books and an art gallery’ she said.
‘Well yes, I replied ‘but it’s a bit more than that.
Visiting authors and illustrators are invited there to talk about their
work’. ‘So it’s a museum of children’s books and
an art gallery and a lecture hall’ she said. ‘Well yes’
I replied ‘but it’s a bit more than that. They do wonderful
creative courses for kids’. ‘So it’s a museum of children’s
books, and an art gallery, and a lecture hall and a creative workshop’
she said. ‘Well yes’, I replied ‘but it’s still
a bit more than that. Anyone who has been fortunate enough to visit Dromkeen
will know exactly what ‘a bit more than that’ means. It’s
inspirational. In fact I’m considering a new picture book entitled
‘a bit more than that …’
Visit Dromkeen and be entranced but don’t just visit once. In the
words of that famous Australia icon the Magic Pudding ‘cut and come
again’.
Remember to kindle that spark of wonder in yourself! Watch illustrators
at work in the grounds, and join the audience of Radio Dromkeen at the
2003 Dromkeen Literary Lunch on Friday, 5 December. Plan a day of professional
development drawing on both the exhibition and the bookshop as starting
points as a new program. Only as we are excited can we excite the next
generation.
Dromkeen Children’s Literature Collection
1012 Kilmore Road
Riddells Creek
Victoria 3431
Telephone: 5426 6799
Fax: 5428 6830
e-mail: dromkeen@scholastic.com.au
website: www.scholastic.com.au
Kaye Hunter
is the Director of the Dromkeen Children's Literature Collection.
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